Don't Look at the Demon

Fiona Dourif anchors this claustrophobic haunting with the kind of raw, unraveling performance that recalls Toni Collette's work in Hereditary—a medium confronting not just a malevolent force, but the ghosts of her own history. What starts as a standard paranormal investigation becomes a psychological descent when the entity itself becomes a mirror to her trauma, forcing both her and the crew into a nightmare where the rules keep shifting.

The film moves with the deliberate dread of prestige horror: think The Haunting of Hill House filtered through a found-footage immediacy, where every room feels suffocating and every rule the characters establish gets broken. Director Colin Theys sustains mounting tension across its lean 95 minutes—there's no fat here, just escalating wrongness and the constant threat that looking away might be the only way to survive.

This is for anyone who craves horror that weaponizes psychology alongside jump scares, where the real terror isn't what the demon does, but what it knows. You'll spend the final act holding your breath, and the twist lands hard enough to recontextualize everything that came before—the kind of ending you'll immediately want to discuss.