Abduction

Scott Adkins wakes up in a Vietnamese fountain with zero memory and everything to fear. What follows is a relentless, high-octane thriller that treats amnesia not as a plot device but as a genuine nightmare—one where every shadow could be the enemy, and trust is a luxury he can't afford. The premise hits like a Bourne Identity fever dream filtered through the neon-soaked paranoia of A24's best sci-fi work.

The film moves with kinetic urgency, ping-ponging between hand-to-hand combat sequences that showcase Adkins' physicality and tense, claustrophobic moments of discovery as fragments of his identity surface. Director Josef Seunik keeps the pacing suffocating; you're never given time to catch your breath or fully trust what you're seeing. The Ho Chi Minh City setting becomes a character itself—sprawling, maze-like, indifferent to one man's desperate scramble for answers.

This is pure genre satisfaction for anyone craving intelligent action-thrillers with teeth. If you loved the methodical paranoia of The Fugitive or the fractured-reality games of Netflix's best sci-fi, Abduction delivers the same adrenaline without pretense. By the final act, the mystery of who's hunting him—and why—will have you theorizing long after the credits roll.